In eskrima, there are many
kinds of sticks used. There are some practitioners
who use the hardy bamboo species that we in the Visayas call gu-od.
There are some who use the dark heartwood or bahi of various palm trees, such as the buli, patikan, sagisi, or even coconut tree, which can be fashioned
into certain shapes, such as a blade-like espada
or a round and slender daga. There are some who make their fighting sticks
from the near-hardwood trunk of the biabas
or guava tree. And many more
practitioners may have as many more kinds of sticks.
For some, the choice is made not
because of preference for the kind of wood, but merely because of the
availability of the material.
And then there is the matter of
reach or length of the stick. Some
styles, like those which favor close range fighting, prefer shorter sticks
because a shorter stick is easier to maneuver, less likely to break, much more
versatile, and much more useful in tight spaces than a longer stick. A longer stick, however, has greater reach
and has greater weight behind every strike, which means that one can hit harder
with it than with a shorter stick and one who is skilled in using a long stick
can hit without being hit.
This matter, however, would be
better discussed in an essay on the qualities of weapons where one may compare
using a knife as against a staff as against a sword and so on and so forth. For this reason, I will leave this out of the
discussion here.
There are some for whom the
choice is a matter of what quality a practitioner values more or what one’s
fighting style requires, such as power, or speed. Although, perhaps, not to the exclusion of
other qualities or requirements.
Between sticks, though, that
which is harder will last. And that
which is lighter will be fast. If you
bang two sticks together hard enough that which is weaker will break or give
way. And that stick which is lighter
will be quicker. But if you know your
stick, then you know what you should do and not do with it.
I have a good stick made from
the wood of the guava tree, of good weight and durable too, but I would not
risk it in force-to-force blows against a stick of kamagong. Rather, I would
parry or evade with it. As with using
swords, you would try not to meet blade with blade. And if the blade must be used, as much as
possible it must cut flesh, not clash against steel.
With some people I’ve
interviewed, all of them senior citizens who’ve observed some eskrimadors from
their town, but not all of whom are practitioners, the impression I have had is
that one usually begins learning eskrima using light sticks. Some even begin with the stalks of banana
leaves or the woody midrib of the lukay
or the frond of the coconut
tree. Most, however, use a rattan stick or,
in Visayan, uway. Although there is another species of rattan
too, called olisi, which is
comparable in weight and hardness to a hardwood and has the nodes very close
together.
For this essay, though, uway will refer to the light rattan training
stick which is commercially available.
As an eskrima practitioner, you
can choose to have a hardwood stick. And
you have several to choose from. There
is the Philippine mahogany called bayong
or balayong or the molave, called tugas in Visayan, and a score of other
native hardwoods. And then there’s the magkuno and the kamagong, both of which are called ironwood. Although the latter is better known.
Of the many kinds of sticks
used in eskrima, the uway and the kamagong may be said to be the most
popular and, thereby, representative of two extremes of the art.
Speed is exemplified by the uway training stick, which one can wield
with lightning dexterity, almost as invisible as a plane’s propeller in the
hands of a master. Power, on the other
hand, is represented by the kamagong
fighting stick, which bludgeons and breaks the enemy with heavy, fatal blows.
For me, a choice can’t be made between
the two values of speed or power. You
cannot abandon either. I will have to
say that in a fight where lives matter, speed alone accomplishes nothing and
power alone accomplishes nothing.
The word “become” is sometimes
used in a context to mean that one thing is appropriate to or suits another
thing, as when one says that grace becomes beauty. In this same sense of the word, we can say
that in eskrima true power becomes speed.
Let me use Manny Pacquiao as an
analogy. If Manny Pacquiao were all
speed and no power, he would not be able to bring down his opponents. He could hit them and tag them, but he would only
sting and bruise them. And if Manny
Pacquiao were all power and no speed, he would not be able to hit his opponents
for all his vaunted strength.
It is when one has both speed
and power that one is truly formidable.
Because power should explode with speed.
Since the uway does not have the potential for power that the kamagong has, an advanced practitioner
of eskrima must train for speed in handling the kamagong, for while the uway
may astonish the enemy with speed, it would just sting him, unless the
eskrimador is very strong or uses the uway
stick in executing grappling techniques, where the stick becomes far more
important because of the leverage it provides and not the heaviness of its
blows.
Learning to use the kamagong fighting stick is like a new
stage for the eskrimador. I would say
that it is much like a college graduate proceeding to undertake post-graduate
studies. Certainly, not one for the
uninitiated. Everything seems new again
and the student must relearn the basics with a new tool, one which is harder to
control because of its weight. One that has
far graver circumstances than a stick of uway,
but which he must strive to wield with the same fluidity and precision as the
old one.
If a stick is too heavy, you
can’t be quick with it. Which means an
eskrimador must be stronger if he uses a kamagong
stick.
For one who has mastered the kamagong, the uway may then seem to be just as slight and flimsy as a twig. And for them, it may be said that the kamagong is the best kind of stick,
because, with it, every blow would be decisive.
In certain cases, I believe it is the best. But one must never forget that the stick is
merely a tool.
For then, just imagine how, with one skilled
in the use of the kamagong, what
blinding speed he would have if he wielded an uway. His stick and his hand
would be fast beyond belief. It would be
like fighting with lightning.
But, in truth, this inclination
to compare the qualities of sticks, is needless. In photography, they say that the best kind
of camera is the one that’s with you. In
the end, the same can be said in eskrima:
the best kind of fighting stick is the one you have with you.